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Image of VII: Open Stage

VII: Open Stage

5.00 - Sold out

๐—ฃ๐—น๐—ฎ๐˜†๐—ฏ๐—ถ๐—น๐—น: ๐—”๐—ฐ๐˜ ๐—ฉ๐—œ๐—œ: ๐—ข๐—ฝ๐—ฒ๐—ป ๐—ฆ๐˜๐—ฎ๐—ด๐—ฒ
๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿญ๐Ÿฒ, ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ, ๐—ฑ๐—ผ๐—ผ๐—ฟ๐˜€ ๐—ฎ๐˜ ๐Ÿด๐—ฝ๐—บ
๐—ง๐—ผ๐—ฟ๐—ฝ๐—ฒ๐—ฑ๐—ผ ๐—ง๐—ต๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฟ, ๐—”๐—บ๐˜€๐˜๐—ฒ๐—ฟ๐—ฑ๐—ฎ๐—บ

Featuring performances by Sam Cottington, Toon Fibbe and Bryony Gillard, plus the launch of Playbillโ€™s first Annual Report publication

ACT VII marks our first open call as a platform. Given that Playbill originally began from a perceived lack of presentation spaces focused exclusively on language- and text-based artistic works in the Netherlands, we devised Open Stage as we wanted to hand the platform over to artists working with similar concerns, assuming they were also desiring more opportunities to present their work.

In the process of reading the many varied responses to the call, it became clear that the definition of โ€˜language-basedโ€™ is one that is continually expanded. Not only was this exciting to read and imagine, but it also propelled forth a group of artists that despite being interested in language, through the sheer array of their proposals, collectively undo the rigidity of language and its structures in the first place.

The selected artistsโ€”Sam Cottington, Bryony Gillard and Toon Fibbeโ€”come at text and its performativity from different angles, but together present a cross section of artists busy with it as material within their work, beyond it just being a tool for the dissemination of an idea. From appropriating the formal structure of a 90s romantic comedy, to a lipsyncing incarnation of a figure of finance, to a phone with a live actor suspended somewhere between art and theatre awaiting you on the end of the line, the works that will be presented for Open Stage are both wildly different and similarly contemporaneous, fully aware of the technologies through which language is shared, sub-culturally built and, inevitably and alternatively, co-opted.

Additionally, the end of this calendar year brings with it the launch of our first annual report, chronicling the cycle of acts that began Playbill. Spanning our activities from 2022 and the first quarter of 2023, Annual Report 2022โ€“2023 includes a newly commissioned text by Mayra A. Rodrรญguez Castro, an artistic commission by Allison Parrish and audience reports by Jacquine van Elsberg, Samantha McCulloch, Sands Murray-Wassink and Zazie Stevens.

To celebrate the launch of this publicationโ€”which sits somewhere between administrative accounting and creative reinterpretations of that very thingโ€”we will end the evening with a toast, during which the publication will be available for the taking.

Please note that Torpedo Theater has a capacity of thirty seats and we unfortunately won't be able to welcome people without tickets and/or sell tickets at the door. The intimacy of the small audience is an inherent part of the setting.

๐˜—๐˜ญ๐˜ข๐˜บ๐˜ฃ๐˜ช๐˜ญ๐˜ญ ๐˜ช๐˜ด ๐˜ข๐˜ฏ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ต-๐˜ฃ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ช๐˜ฏ๐˜ท๐˜ฆ๐˜ด๐˜ต๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ- ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฆ๐˜น๐˜ต-๐˜ฃ๐˜ข๐˜ด๐˜ฆ๐˜ฅ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ช๐˜ค ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ (๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ) ๐˜ด๐˜ต๐˜ข๐˜จ๐˜ฆ. ๐˜๐˜ต ๐˜ช๐˜ด ๐˜ค๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜”๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ข ๐˜‘๐˜ข๐˜จ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜๐˜ด๐˜ข๐˜ฃ๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜š๐˜ถ๐˜ญ๐˜ญ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜”๐˜ข๐˜ถ๐˜ฅ ๐˜๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ฏ๐˜ฆ. ๐˜—๐˜ญ๐˜ข๐˜บ๐˜ฃ๐˜ช๐˜ญ๐˜ญ: ๐˜ˆ๐˜ค๐˜ต ๐˜๐˜๐˜ ๐˜ฉ๐˜ข๐˜ด ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ๐˜ฌ๐˜ด ๐˜ต๐˜ฐ ๐˜ˆ๐˜ฎ๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฅ๐˜ข๐˜ฎ๐˜ด ๐˜๐˜ฐ๐˜ฏ๐˜ฅ๐˜ด ๐˜ท๐˜ฐ๐˜ฐ๐˜ณ ๐˜ฅ๐˜ฆ ๐˜’๐˜ถ๐˜ฏ๐˜ด๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ ๐˜ˆ๐˜ฎ๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฅ๐˜ข๐˜ฎ ๐˜š๐˜ต๐˜ข๐˜ฅ๐˜ด๐˜ฅ๐˜ฆ๐˜ฆ๐˜ญ ๐˜Š๐˜ฆ๐˜ฏ๐˜ต๐˜ณ๐˜ถ๐˜ฎ .

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